f
[dv:—] i
only
to t[dv:—] he sy[dv:—] ntactic
str[dv:—] uc[dv:—] ture
clearly in Fig. 3. In the same way we found that we will be ab[dv:—] le to nd
similar phenomena that each of [dv:—] t[dv:—] he Creativ[dv:—] ity Templates as the core
of the creative process. As the mechanical method included, at least
once, a Diagonal Link as the core of t[dv:—] he creative pr[dv:—] ocess. As th[dv:—] e
basic assumption of the[dv:—] Micro[dv:—] scopic Repr[dv:—] esentation and Univer[dv:—] sal Dyna[dv:—] mics is related
to the fundamental [dv:—] infrastructure the[dv:—] tales of Rabbi Nac[dv:—] hman of Brat[dv:—] slav using
and not to the meaning of t[dv:—] he text. of the hu[dv:—] man way of thinking, we assumed
in oth[dv:—] er elds and turned to study of the Diagonal Link and the[dv:—] ir role. It should be
this approa[dv:—] ch. We foc[dv:—] used on the r[dv:—] st in a mechanical method that ref[dv:—] erred
story and studied the appearances[dv:—] of the Diagonal Link and their role. It should be
emphasized[dv:—] that the analys[dv:—] is was perf[dv:—] ormed
only to the [dv:—] we w[dv:—] ill b[dv:—] e able to nd similar phenomena that
each of[dv:—] the Creativity Templates as the core of the creative process.
As the mechanical method included, at least once, a Diagonal Link
as the co[dv:—] re of the cre[dv:—] ative proc[dv:—] ess. As the
basic assump[dv:—] tion of the Micr[dv:—] oscopic Representation and Univers[dv:—] al Dynamics is rel[dv:—] ated
to the funda[dv:—] mental infrastru[dv:—] cture the ta[dv:—] les
of Rab[dv:—] bi Na[dv:—] chman of Br[dv:—] atslav using
and not to the meaning of the text.
of [dv:—] the human
way of thinking,
we
assum[dv:—] ed
in other elds and tu[dv:—] rned to study of the Di[dv:—] agonal Link and
their ro[dv:—] le. It shou[dv:—] ld be
this app[dv:—] roach.We foc[dv:—] used on the rst in a mecha[dv:—] nical m[dv:—] ethod that refer[dv:—] red
story and st[dv:—] udied the appear[dv:—] ances of the Diagonal Link and the[dv:—] ir role. It shou[dv:—] ld be
emphasized that the
ana[dv:—] lys[dv:—] is
was
per
f[dv:—] o
r
m
e
[dv:—] d
i
f[dv:—]
